摘要
本文以民间写作的滥觞期、发展期、飞跃期和确立期为界,通过对《透明的红萝卜》、《红高粱家族》、《天堂蒜薹之歌》、《酒国》、《丰乳肥臀》、《檀香刑》、《四十一炮》等代表性文本的民间倾向分析,确证莫言对民间的最终抉择,既是一个从无意识到有意识的过程,又是个人生活积淀与变化着的时代语境相共振的结果。
This thesis tries try to remark on all of Mo-yan's novels during his twenty years at the angle of folk .The thesis consists of the beginning stage,the development stage,the span stage and the conviction stage of folk writing. Analysing such fiction of The transparent and red turnip,The red sorghum clan,Song on garlic stem in Heaven,The wine world,Plump breasts and fat hips,Tan-xiang xing and Fourty one shells convinces us that that Mo-yan chose folk at last was not only from-unconsciousness-to-consciousness couse,but also the result from his experiences and the times' influence.
出处
《重庆工商大学学报(社会科学版)》
2004年第4期142-146,共5页
Journal of Chongqing Technology and Business University:Social Science Edition
关键词
莫言
民间
写作立场
写作视角
Mo-yan
Folk
writing stand
angle of writing