“疯癫”的舞蹈

Dance of Madness

疯癫形象是文艺复兴时期文学史上独特而普遍的现象。在米歇尔·福柯审美决定论的基础上 ,文章分析了《李尔王》中李尔从国王走向疯癫最终死亡的过程。李尔身份的变化体现了莎士比亚及很多作家在文艺复兴时期 ,通过疯癫和愚蠢来寻求理性和真理 ,从而使社会在文学里达到了内在的和谐与统一。疯癫的审美是文艺复兴时期美学独特的向度 。

Character of madness is a common and special phenomenon in the Renaissance period. Based on the aesthetic opinion of Michel Foucault, this paper focuses on the analysis of the transformation of the identity of King Lear in Shakespeare's tragedy King Lear. It also helps us to understand the harmony of the society in literature which Shakespeare and his contemporaneous writers post in their works in the Renaissance period. Madness taste is a special dimensionality of that time, but madness aesthetics just begins.