摘要
晚唐五代是词人放荡不羁性格大肆张扬的时期 ,到了北宋前期的百余年间 ,雍容和缓、砥砺气节的宋儒人格开始形成。在这一背景下 ,宋人解决了如何使传统的诗人之志与词人风流在新的文化条件下和谐相处 ,并融为一体。事实证明 ,绝大多数文人是既作诗、又填词 ,只不过二者的创作比例在不同的个体那里有所差异。于是 ,聪明的宋人立足于诗人的身份 ,兼顾了词人风流 ,从而使得词人身份以新的姿态成为士大夫完美人格的有机组成部分。
Late Tang and the Five Dynasties were a period in which ci writers ostentatiously gave full rein to their passions. By the hundred -odd years before the Northern Song Dynasty, the dignified, poised, and integrity-encouraging personality that was characteristic of Song Confucians began to form. Against this background, the Song scholars had learned to harmonize and integrate the poets' aspiration with ci writers' unrestraint under new cultural circumstances. Facts show that most men of letters composed both poems and ci; only the ratio between the two differs with different cases. So the intelligent Song scholars established themselves as poets while taking into account the unrestraint of ci writers whose identity was to become in a new posture an organic integral part of the perfect personality of Confucian literati.
出处
《南京师范大学文学院学报》
2004年第4期154-160,共7页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
宋儒人格
词人身份
互补
重新定位
personality of Song Dynasty Confucians
identity of a ci writer
complement each other
relocation