摘要
本文立足于“诗性”视角 ,对“国剧运动”主将余上沅与西方戏剧理论家布莱希特之关系作了再评价 ,揭示两者从中国古典戏曲出发 ,对戏剧的诗性内涵、诗性特质和诗性功能的不同选择 :前者将“诗性”阐释为形式的、由和谐营建的具慰藉意义的纯美空间 ;而后者则将“诗性”扩展至内容的、由矛盾生发的具批判意义的存在之思。在此基础上 ,本文旨在探讨中西比较视域中中国当代戏剧美学的发展。
This essay reevaluates the relationship between Yushangyuan and Brecht.It mainly discusses their different attitudes toward China's traditional opera, focusing on the concept of 'poetic quality.' The essay points out that the former devotes his attention to the harmonious form and the consoling function of drama while the latter shows an interest in its contradictory content and critical function. Based on this comparison, this essay predicts the promising prospect of further development in the contemporary Chinese dramatic aesthetics .
出处
《外国文学研究》
北大核心
2003年第5期102-107,共6页
Foreign Literature Studies
关键词
余上沅
布莱希特
诗性
对话
Yu Shangyuan Brecht poetic quality dialogue
