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易卜生戏剧中的悲喜剧内涵 被引量:3

The Tragi-comic Aspects of Ibsen's Plays
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摘要 易卜生戏剧具有强大的生命力和巨大的容量 ,其结构的开放性及意义的含混形成了其独特的戏剧审美特征。而悲喜合一的戏剧特点是易卜生戏剧现代性的重要条件。本文从悲喜剧的视角 ,审视易卜生戏剧的悲喜剧内涵 ,回顾悲喜剧的发展轨迹 ,将易卜生和莎士比亚以及贝克特进行比较 ,分析易卜生戏剧中冒险和追寻的主题和开放的结尾 。 Ibsen has been recognized as a founding figure of the modern European drama. His plays have shown everlasting strength and great capacity. The open structure and rich metaphorical connotation of his plays form a unique aesthetic whole. And the tragicomic feature characterizes the modernity of his plays. This article examines Ibsen's plays from a tragicomic perspective by taking into consideration the development of tragicomedy since its creation. It then compares Ibsen with Shakespeare and Beckett by giving an analysis of the themes and the open ending of his plays. The article highlingts Ibsen's contribution to the modern dramatic art.
作者 孙建
出处 《外国文学研究》 北大核心 2003年第6期63-68,共6页 Foreign Literature Studies
关键词 易卜生 悲喜剧 主题 结局 Ibsen tragic comedy themes open ending
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  • 1[4]See Joseph Campbell, The Hero With a Thousand Faces(Princeton:Princeton University Press, 1968)30.
  • 2[6]Durbach,Errol, ed. Ibsen and the Theatre. London and Basingstoke:The MacMillan Press Ltd. , 1980.
  • 3[7]Dutton, Richard. Modern Tragicomedy and the British Tradition. Sussex:The Harvester Press, 1986.
  • 4[8]Hemmer, Bjorn, and Vigdis Ystad, eds. Contemporary Approaches to Ibsen. Vol. Ⅸ. Oslo :Scandinavian University Press, 1997.
  • 5[9]Hirst, David. Tragicomedy. London:Methuen Publishing Ltd., 1984.
  • 6[11][Ibsen, Henrik. The Works of Ibsen. Vol. 3. Trans. Cheng Shi. Beijing:People's Literature Publishing House,1995.]
  • 7[12]Ibsen, Henrik. The Complete Major Plays. Trans. Rolf Fjelde. New York: The New American Library, Inc. ,1978.
  • 8[13]McFarlane, James, ed. The Cambridge Companion to Ibsen. Cambridge: Cambridge University Press, 1994.
  • 9[14]Shaw, Bernard. Our Theatre in the Nineties. Vol. 3. London: Constable and Company, 1948.
  • 10[15]Steiner, George. The Death of Tragedy. London:Faber & Faber, 1961.

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