摘要
在当今这个千变万化的时代 ,中国传统的戏曲音乐艺术面临着许多问题。其中是否要创新、如何创新是诸多问题的焦点。本文以梅兰芳先生的戏曲音乐创新活动为例 ,在多元化理念的指导下 ,论述了现今这个戏曲艺术生存的特殊境遇里 。
In the present ever-changing era, the arts of Chinese traditional opera and music are faced with many problems.Of these problems, whether and how to reform and create is the focal point. With Mei lanfang's innovative activities concerning Chinese traditional opera as an example, and under the guidance of pluralized theory, this research paper states the writer's reflection on these problems in the present special situation, in which the Chinese traditional opera exists.
出处
《阜阳师范学院学报(社会科学版)》
2004年第2期126-127,共2页
Journal of Fuyang Normal University:Social Science Edition
关键词
戏曲音乐
创新
多元化
China's traditional opera and music
reform and create
pluralize