流动的画廊——明中期苏州书画鉴藏圈交流方式

Ways of exchange in the circles of calligraphy and paintings collection in the Suzhou area during the mid-Ming Dynasty

收藏与赏玩书画于古代文人是介于经世治国的正事与玩乐之间的一种状态,既有审美的享受,又是件挺清雅的事,不会流于玩物丧志的境地。于是上至皇帝贵族,下至刚刚走进仕途或小康生活的庶民,无不附庸风雅。每个人其实部有他的审美溯求,不论贵贱,不分雅俗。当然对于从事书画创作的文人而言,他们在观赏真迹方面就有着更加迫切的要求。

Suzhou was the biggest collection and distribution center of calligraphy and Paintings collections in the middle late periods of the Ming Dynasty. A considerable amount of famous works were gathered there. It was also the active period for the creations of the Wu School of Painting. The author tries to trace the impact of the four ways of exchange on the creation of the Wu School of Painting and the values realized by this (?).