摘要
梁启超在历史进化论的基础上构筑的“新史学”理论 ,迎合了当时社会及学术文化发展的需要 ,影响越出史学界而成为一股社会性的文化思潮。民国时期的美术史研究在历史观、方法论及叙事方式等层面 ,都受到梁启超“新史学”直接或间接的影响 ,“新史学”宣扬的历史进化论的观念 。
Liang Qichao put forward the theory of noehistoriography on the basis of historical evolutionism. The theory catered for the requirement of the society and the development of science and culture. It was far beyond the field of historiography and became social and cultural trends of thought. The research of the history of fine arts in the era of Republic of China was directly or indirectly influenced by Liang’s theory in the outlook of history, science of methods and narration. The viewpoint of historical evolutionism from Liang’s theory is the theoretical foundation used by many scholars to paraphrase the history of the development of Chinese fine arts.
出处
《贵州大学学报(艺术版)》
2004年第2期11-15,共5页
Journal of Guizhou University Art Edition
关键词
民国时期
梁启超
新史学
进化论
美术史
美术分期
the era of Republic of China
Liang Qinchao
noe-historiography
evolutionism
history of fine arts
fine arts by stages