向唯美写实趋同 与时代精神疏离——从意境角度剖析当前中国电影的得与失

Close to Aesthetical Writing,Alienated from Time Spirit——An analysis of the Gain-and-Loss of the Present Chinese Films from the Artistic Conception

百年中国电影实践对意境的探索为中国电影的本土化、民族化作出了卓越的贡献。时至今日 ,当前中国电影创作对于传统意境美学的追求已经成为一种自觉 ,从整体上提高了中国电影的艺术质量 ,值得肯定和倡导。但是当前中国电影创作在意境的营构以及意境的类型品格方面也还存在着向唯美写实的优美之境趋同 ,而与现代理念、时代精神相疏离等问题 ,映射出当前中国电影创作在文化意识、创作心态等方面的不足之处。

The exploration of the artistic conception by Chinese film practice during the past 100 years makes excellent contribution to the localization and nationalization of Chinese films. Up to now, the creation of Chinese films has been a voluntary action seeking traditional artistic concept aesthetics. Thus generally raise the artistic quality of the Chinese films and is worth confirming and initiating. However, the creation of today's Chinese films still has some problems: the building of the artistic concept of the Chinese film creation and the types of the concept have an tendency towards the graceful scenery of aesthetic realistic writing, but alienate present ideas and time spirit. Thus reflects the insufficiency of aspects as the cultural consciousness and the mentality of creation of the present Chinese films.