摘要
中国元典文化对戏曲艺术的影响是多面和深刻的。它在迟滞戏曲艺术形成和发展的同时 ,却以其深邃的哲学精神和美学原则 ,铸就了戏曲艺术空灵多变的舞台形式、主观心灵化的表演时空和以时帅空的舞台风格 ,并在戏曲艺术的精神内容上形成了乐观向上的喜剧精神、穿越生死的生命观念和生生不息的生命精神。
The Chinese Classics’ effects on Chinese traditional opera are profound and multi aspect, which not only hinder the development and formation, but cast into changeful stages, subjective soul of time space of playing and time command space style of the stages of Chinese traditional opera by their philosophical spirit and aesthetic principle. And then formed optimistic progress comedy spirit, pass through the life and death concept of life and eternal life spirits in the spirits and contents of the art of Chinese traditional opera.
出处
《贵州大学学报(艺术版)》
2004年第2期67-73,共7页
Journal of Guizhou University Art Edition
关键词
元典文化
戏曲艺术
主观心灵化时空
生命精神
Chinese Classics
art of Chinese traditional opera
time-space of the subjective soul
life-spirit