摘要
女性诗歌经历了20世纪80年代的躯体写作后,90年代转向了语言写作。90年代以来,伴随着整个社会的进步和对诗歌认识的改变,女性诗人不仅以诗歌的姿态表述自己,而且以具有女性主体性的"人"的立场进入诗歌,聆听和感受世界,既不放弃性别立场,又不放弃艺术价值,使女性诗歌达到人文价值与诗性价值合一的高度。90年代女性诗歌的语言写作,使女诗人以独立的女性话语与充分女性化的写作策略,实现了女性世界的完全自立和性别表达,并形成自己独立的审美体系,从而实现了女性诗歌写作的"宁静的丰收"。女性诗歌从此走上包含性别但又超越性别的更为广阔的前景。
Feminist poetry has turned to language writing since the 1990 after it underwent the period of body writing in the 1980s.Since 1990,the poetess has changed their minds on the poetry with the rapid advancing of the society.The poetess not only expresses herself through their poetries,but also gets into the poetries by the standpoint of the "person" and the feminist subject.At the sane time,the poetess does not gives up her sex stand and the art value,thus making the feminist poetries to the height.The poetri...
出处
《哈尔滨工业大学学报(社会科学版)》
2008年第4期123-128,共6页
Journal of Harbin Institute of Technology(Social Sciences Edition)
关键词
中国当代
女性诗歌
语言写作
Chinese contemporary
feminist poetry
language writing