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李东阳诗歌创作的宗宋转向

The Inevitability of Li Dong-yang's Turn to Song Poetry Study
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摘要 李东阳诗歌创作既有台阁体面貌,也展现出其诗歌创作的转向,其诗风渐趋沉郁、硬瘦,宗杜是他重要的诗歌主张。李东阳诗歌创作中还有一种倾向,即欣赏、学习宋代诗人,其诗学主张兼顾宋诗,他作于不同年代的两批集句诗则印证了其宗宋的诗学观念,说明其诗歌创作转向宗宋的必然性。 The poetry composition of Li Dong-yang not only embodied features of TaiGe style,but also displayed his direction had changed.His poetic feature was depressed,stiff and thin.To study Dufu was his dominant poetic viewpoint.Li s another way was to appreciate and study poets in Song Dynasty.His poetic attention to Song poetry and two groups of Jiju poems testified his pro-Song poetic idea and illustrated the inevitability of his changing.
作者 郑礼炬
出处 《盐城师范学院学报(人文社会科学版)》 2008年第4期66-69,共4页 Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
基金 漳州师范学院社科研究项目(L20626)
关键词 李东阳 台阁体 沉郁 宗宋 TaiGe style depressed Dufu Song poetry
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参考文献4

  • 1[1]陶宗仪.说郛[M].文渊阁四库全书本.
  • 2[2]李东阳.李东阳集:第一卷[M].长沙:岳麓书社,1984.
  • 3[17]程敏政.篁墩文集[M]. 文渊阁四库全书本.
  • 4[2]王鏊.震泽集[M].文渊阁四库全书本.

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