摘要
李东阳诗歌创作既有台阁体面貌,也展现出其诗歌创作的转向,其诗风渐趋沉郁、硬瘦,宗杜是他重要的诗歌主张。李东阳诗歌创作中还有一种倾向,即欣赏、学习宋代诗人,其诗学主张兼顾宋诗,他作于不同年代的两批集句诗则印证了其宗宋的诗学观念,说明其诗歌创作转向宗宋的必然性。
The poetry composition of Li Dong-yang not only embodied features of TaiGe style,but also displayed his direction had changed.His poetic feature was depressed,stiff and thin.To study Dufu was his dominant poetic viewpoint.Li s another way was to appreciate and study poets in Song Dynasty.His poetic attention to Song poetry and two groups of Jiju poems testified his pro-Song poetic idea and illustrated the inevitability of his changing.
出处
《盐城师范学院学报(人文社会科学版)》
2008年第4期66-69,共4页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
基金
漳州师范学院社科研究项目(L20626)
关键词
李东阳
台阁体
沉郁
宗宋
TaiGe style
depressed
Dufu
Song poetry