论近代以来书法创作风格的演变

On the change of calligraphic style since the modern time

近代以来书坛创作的主导风格倾向是碑学与帖学二者之间的交替转换与相融 ,即 :有清以降尊帖书风———康有为尊碑书风———于右任碑帖相融书风———沈尹默尊帖书风———中原尊碑书风——— 2 0世纪 80年代以来碑帖经卷等相融多元并存书风。新世纪之初书风仍趋多元 ,书法创作将会持续高度繁荣 ,新一轮书法艺术高峰期已经到来。

The dominating style for the Chinese calligraphic creation since the modern time is represented as the alternate transformation and reciprocal absorption of the inscriptional studies and the calligraphic model copy of paper. In other words, quite a few calligraphic styles existed over long time. These styles contain those of modeling paper copy after Qing dynasty, of Kang You-wei's originating in inscription, of Yu You-ren's prototype seeking in the combination of model paper copy and inscription, of Shen Yin-mo's emphasis on the model paper copy, of the inscription copy in central China, and of the mixed copy of inscription and paper since the 1980s of 20th century. In the early 21st century, the style of Chinese calligraphy is still going in a plural direction. After a continuous prosperity of the calligraphic creation, a new peak of Chinese calligraphic arts will certainly come.