摘要
中国近现代美术史上最值得提出的大事莫过于西洋画在中国的广泛传播并确立了在中国画坛上的地位。民国时期的留洋画家北有徐悲鸿、庞薰琴等;南有颜文樑、陶冷月、刘海粟、关良、吴粹中、林风眠等,这些画家或留欧或留日,吸收西画之精华,博采众长,奠定了近代中国绘画的基础。而其中大部分画家通过长时间探索糅合了西画的写实、透视与色彩,并用中国本民族的绘画语言笔墨技法的表现形式,合中西绘画神韵于一身。徐悲鸿以其扎实的写实功力,运用中国画墨法的变化。
Wang Shizi (1883-1950) was a Chinese student studying abroad,who went to Japan for studying paintings in the early period,and after returned home he worked in several art shools in China,and he was one of famous painters of traditional Chinese paintings during the Republic of China.The paper introduced his eleven watercolour sketch paintings Worked in his early period and his seals engraved by himself.
出处
《收藏家》
北大核心
2002年第7期46-50,共5页
Collector