摘要
中国绘画的构图是从认识论的角度出发获得意识的空间 ,体现了认识、想象和美的意识。中国绘画超时间的散点透视 ,能够表现目之所不能达 ,给画家更自由的审美意识和更大的想象空间。在此基础上 ,中国绘画构图突破了经典科学和透视规律 ,从审美角度对现实之物自由取舍 ,笔到处意趣横生 ,余味无穷 ,笔不及处则玄机暗藏 ,无声胜有声。中国画中空间观念注入了时间意识 ,体现了空间时间化 。
The composition of a Chinese painting obtains space of consciousness from epistemology. It embodies the significance of understanding, imagining and beauty. The cavalier perspective of timelessness in Chinese painting can express what the eyes cannot express and give the painter freer aesthetic consciousness and more imagining space. On the basis of it, the composition of a Chinese painting breaks classical science and the rules of perspective. The painters can freely take or leave anything realistic. Wher...
出处
《贵州大学学报(艺术版)》
2002年第2期68-71,共4页
Journal of Guizhou University Art Edition
关键词
构图
意识的空间
散点
透视
意境
久远
生存
composition of painting
space of consciousness
cavalier perspective
artistic conception
longinquity
survivorship