摘要
本文首先考察杜诗中“法”及与’“法”内涵相近一系列概念的理论 价值,从而明确杜甫诗法论理论上的丰富性和实践上的一贯性。尤其是对他所 用的’“诗律”“徽”等概念提出新的解释,认为它们在杜甫那里是一种诗法论。“ 而非简单的声律论。文章还探讨了杜甫诗法论的美学意蕴,认为杜甫的“法” 不是指导初学的门径之法,而是达到最完善的艺术创造状态的一种自觉意识。 最后追溯了杜甫诗法论的渊源及对后世诗学的巨大影响。
The article firstly observes the theoretical values of the “methodology” in Du Fu s poetical works and a series of his concepts close to the “methodology” in immanent connotation, in order to make clear the theoretical richness in the “methodology” in Du Fu s poetical Works and its consistency with the practice. In particular, it gives some new explanations to those concepts of “poetic regulations” or “regulation”,regarding them not mean tonal pattern and thyme scheme, but mainly to be a theory of the “me...
出处
《文学遗产》
CSSCI
北大核心
2001年第4期56-68,143-144,共15页
关键词
杜甫
诗法论
诗律
苦思
入神
Du Fu (杜甫)
methodology for the purpose of poetic creation
poetic regulations to cudgel one’s brain for ideas
to be lost in thinking