摘要
元代,画竹之盛为前代所无,画竹风格也五彩纷呈,但画竹的大类中也有许多细微的讲究。比如有专画双勾竹,青绿设色,细笔渲染;也有专画水墨竹,“大笔儒染何淋漓”,是写意墨戏的风度。据说张逊为双勾竹之翘楚,而李衎则为水墨竹之泰斗,他挥洒自如,风度翩翩,足以让后人仰慕、叹服。 李衎(1244-1320年),字仲宾,号息斋道人,燕(今北京)人,早年在太常寺充当小吏。
There was an unprecedented fashion to paint bamboo in Yuan dynasty. The styles werevarious and of fine partictilarities. Li Kan was a leading painter of the ink bamboo paintedwith somewhat freehand brush. His ink bamboo of freehand brush was quite original andcreative at that time. He was admired by the followers for his smooth and graceful styles.
出处
《东南文化》
2001年第4期34-41,共8页
Southeast Culture
