《源氏物语》悲剧意识论──兼论《桐壶》卷的悲剧意识导向

Tragic consciousness in Hikaru Genzi and its guidance to Fascicle Kiritsubo

《源氏物语》作为描写新事物的毁灭、美的毁灭、美的理想的毁灭的悲剧经典 ,可谓日本古典文学中绝无仅有。其悲剧意识源于何处 ,这是一个值得探讨的问题。因此 ,从白居易的《长恨歌》对紫式部的深刻影响、作者自身人生经历的积累及平安朝时代的文化审美定势三个方面对其进行探讨研究很有必要。

Hikaru Genzi, a unique tragic work of Japanese classical literature, elaborates on the destruction of the newly emerging things, the beautifulness, and the high ideals. It is worthwhile to probe for the origin of its tragic consciousness. Three aspects are dealt with in this proposition: a) the great impact of The Everlasting Regret by Bai Juyi upon Shikibu Murasaki, b) the accumulation of the author's life experience, c) the cultural aesthetic orientation of the Ping'an Dynasty.