内蒙民歌《四季》和声编配的理论基础与技术特征

The Four Seasons, an Inner Mongolian Folksong: Theoretical Basis and Technical Characteristics of Harmony Arrangement

文章以赵宋光编配的《内蒙民歌 99首》中的《四季》为分析对象 ,从体现旋律韵味的下属功能和声技巧、运用稳定音不稳定化的技巧使全曲流畅艺术性强、洋溢新意的和声语汇———阻碍进行与增六和弦、高叠置和弦的运用在民族调式和声中的意义等 4个方面揭示了作品在和声编配方面的理论基础与技术特征。

s: Based on the analyses of The Four Seasons of the 99 Mongolia Folk Songs arranged by Zhao Songguang, the paper researched the theoretical base and technical characteristics of the harmonization to the work. It related on four aspects: the subdominant function of the harmony embodiment of the melodic quality; the technique of using some notes unstable character to make the progression movable; some new idea of harmony language, e.g. interrupted progression and augmented sixth chord; the significance of using the cluster in Chinese traditional modal harmony.