摘要
"北窗"与"屋漏"、"北牖"有着割不断的潜在联系,从其关系中可以简单透视"北窗"之原始概貌。"北窗"以其通风阴凉的特性走进人类生活,自陶渊明"高卧北窗"之后,便从一个行为原型向审美符号转变,其意象萌芽于晋,繁盛于唐,并在宋代有所发展。唐诗中的"北窗"有通风消暑、寄傲怀高、闲情逸致、对照等几种类型,作为一个美学符号跃然诗中。宋诗对唐诗中的"北窗"意象有同向的继承开拓,也有反向的创举,"愁苦孤独之北窗"即是时代环境与诗人心境融合的结晶。
The inseparable relation between the north window and the housing leakage and north shuyou simply reflects the original picture of the north window.With the characteristics of ventilation,the north window becomes a part of human life.And since the line "sleeping under the North Window" in Tao Yuanming s poem,it has been changed from a prototype to an aesthetic symbol in the poetry.And its images origin in the Jin Dynasty,blooms in the Tang Dynasty and develops quickly in the Song Dynasty.The images of the n...
出处
《西安文理学院学报(社会科学版)》
2008年第4期1-5,共5页
Journal of Xi’an University(Social Sciences Edition)
关键词
唐诗
宋诗
北窗
意象
poetry in Tang Dynasty
poetry in Song poetry
north window
images