摘要
作为非物质文化遗产之一的陕西凤翔泥塑具有极强的艺术特色,在众多的凤翔泥塑作品中,泥塑虎作品最为典型,泥坐虎和挂片虎是陕西凤翔泥塑的主流作品。虎的形象作为民俗活动中的恒常主题,其造型稚拙夸张,色彩鲜艳,图案寓意丰富,呈现着西秦历史文化的印记,在中国美术历史的演绎中独树一帜。
As one of the non-material cultural heritages,the clay sculpture,especially the clay tiger in Fengxiang,Shaanxi province has strong and unique artistic feature with the sitting and hanging tigers as its principal models.The image of tiger,as the popular folk theme,has a variety of implications with its lovely,exaggerate,beautiful pictures,marking the historical influence of West Qin dynasty,and developing its own unique style in Chinese painting history.
出处
《西安文理学院学报(社会科学版)》
2008年第4期38-40,共3页
Journal of Xi’an University(Social Sciences Edition)
关键词
陕西凤翔
泥塑虎
民俗
Fengxiang in Shaanxi Province
clay tiger sculpture
folk and custom