摘要
语言在传统文学创作中与权威的解释相一致。但在荒诞派作品中情形发生了很大的转变,其语言失去了表情达意交流思想的功能,只成为一种能证明发声体存在的声音。这种失去审美性的"贬值了"的语言,它所展现的情景,在形而上的层面上却具有一种深刻性,一种悲剧意识的深刻和使人通过震撼而达到振奋的深刻。这正是荒诞派艺术对语言功能荒诞化处理所取得的非荒诞化效果,也可称其为对语言功能异化处理的非异化效果。
In traditional literature,the definition and the function of language is in accordance with its authority explanation.But in the works of the absurd,language is just a voice as a vocal mechanism losing its function to express and communicate.While it is this "devaluated" language which has lost its aesthetic nature that metaphysically impresses us by the profundity of its tragedy and its inspiration,which is the non-absurd effect that achieved by the absurdist through language processing.
出处
《西安文理学院学报(社会科学版)》
2008年第4期16-18,共3页
Journal of Xi’an University(Social Sciences Edition)