摘要
本文经由审美对象与艺术作品的界定,艺术作品从潜在存在过渡到显势存在、艺术作品与审美者相互生成及艺术生成本身等四个方面的内容进行表述,对于艺术作品和审美对象的区分以及前者向后者转化过程的分析,从现象学的角度做出一定的理论探讨。
This article focuses on the topics of convert work of art into aesthetic object,the statements of the four aspects determinate of work of art and aesthetic object,Works of art from the potential existence of significant transition to the existence of potential,Works of art and aesthetics are generated each other,and art is generated itself. This article analyzes distinction between works of art and aesthetic objects,as well as the former to the latter s transformation process.From the phenomenological point...
出处
《武汉科技学院学报》
2008年第9期121-124,共4页
Journal of Wuhan Institute of Science and Technology
关键词
作品
经验
存在
生成
works
experience
being
generation