狂狷与“知重”——由《救风尘》、《望江亭》、《窦娥冤》看关汉卿的人生价值取向

From 〈Jiu Fengchen〉、〈Wangjiangting〉 and 〈The Tragic Song of Dou E〉Three Dramas to Inspect the Outlook on Life of GUAN Han-qing

《救风尘》、《望江亭》、《窦娥冤》三部作品描述了下层社会女性命运的抗争经历。对此三部作品进行比较分析,认为关汉卿借助不同女性抗争史,从不同角度寄托了自我的人生价值取向,表明以"狂狷者"姿态处世的作者曾对其自我人生定位进行了深深思索。三部作品既是关汉卿对下层女性命运的关注,更是对以自身为代表的下层文人人生价值取向的探讨,反映了在元代的特定历史社会环境下,下层文人内心对上层制度向往而实际对伦理纲常漠视的矛盾。

〈Jiu Fengchen〉、〈Wangjiangting〉 and 〈The Tragic Song of Dou E〉 describe the resistant history of the female in the lower classes of society.Contrasting and analyzing the three plays,the paper draws the conclusion that,with the aid or the resistant history of different woman,Guan Han-qing place his own life value orientation from different angles.It indicates that the author who appear among the masses as a "maniac" to live once thought deeply about his self-life orientation.The three plays not only show that...