摘要
郭沫若曾就其历史剧《孔雀胆》的主题提出过三次看法,这三次看法实质上都是为了突出"民族团结"的主题。郭沫若是把段功和阿盖的爱情放到民族团结的背景中来描写的,是放在民族矛盾的冲突中来展现的,爱情矛盾中贯穿了民族矛盾。段功和阿盖的爱情本身就是民族团结的象征,写段功和阿盖的爱情是"表",表现民族团结这一主题是"里"。郭沫若是借爱情矛盾揭示民族矛盾,从而表现民族团结的主题。
As far as the subject of historical play Peacock Gallbladder is concerned,Guo Moruo has presented his own standpoints for three times, the essence of them is for sticking out the theme of national consolidation.Duan gong and A'gai's love story is developed on the background of national consolidation and emerged in the conflict in national contradiction by Guo Moruo.That means, national contradiction runs through the contradiction of love.In fact, the love between Duan gong and A'gai in itself is the symbol of national consolidation.To describe Duan gong and A'gai's story is superficial,but to express the theme of national consolidation is internal.What's more,national contradiction disclosed indicates the theme of national consolidation.
出处
《辽宁工程技术大学学报(社会科学版)》
2004年第3期304-306,共3页
Journal of Liaoning Technical University(Social Science Edition)