后现代语境与中国声音景观断想——兼及“新格罗夫”条目“音乐人类学:当代问题”

Postmodernist Context and Aspects of China's Soundscapes,with Comments on "Ethnomusicology:Contemporary Issues"

本文力图以后现代的思路,以文化阐释的方法,诠释现代中国的声音景观,列举了中国的民族音乐构建史,戏曲中的男女反串,"茉莉花"音乐的世界之旅,以及上海犹太社区的"克莱兹默"音乐之旅,这些音乐跨越时空的传播同时也折射了中国历史的百年变迁和社会发展,即以音乐的虚拟空间并置了历史各个时间段。

The essay tackles modern Chinese soundscapes in the context of postmodernism and by means of cultural interpretation,with examples such as the history of the attempt to construct Chinese national music,the impersonation of opposite sex in Chinese local operas,the world traveling of the folk music Jasmine Flower and the Jewish klezmer music in Shanghai.The music transmission across time and space mirrors China s one hundred years social change and development.