谁的声音——以田野工作的视角

Whose Sound-Perspective of Fieldwork

19世纪末以来,中国多元的传统音乐的生存方式发生了不同程度的改变。其中最为明显的变化,就是它们纷纷从原来自在于历史及民间社会的生存状态,转变为某种相对于"他者"(other)的"对象"(object),并在不同的他者叙事中呈现其不同面貌。其中音乐学写作作为重要的叙事文本介入了传统音乐的建构。本文将以自身的田野工作实例,对其反省。

Based on historical concept and narrative frame,with reflections over the discourses of Chinese traditional music research and cases from actual fieldwork,the author makes an analysis of the way in which the traditional cultural role,in narrating history,is constantly constructed into a complex texture by the Other.