论岩画、青铜器动物纹饰艺术中的游猎民族生命美学意蕴

On Connotation of Aesthetics of Life of Nomadic Civilization in the Art of Grotto Paint and Bronze

草原文化因古代欧亚大陆游牧世界的一体性而获得世界性品格。蒙古高原游牧民族的生命哲学,以重视生命的感性体验、肯定生命流变、感受生命的严酷与崇高为主旨,其生命价值观有着极其独特的表现形式。本文借助西方现代生命哲学、美学思想之光,试图寻访古代牧猎族群卓越的感性生命艺术遗存,作为个案分析,以岩画与青铜器动物纹饰艺术为对象,去透显游牧先民于生命历程中创造的精神文化世界,挖掘其合理内核,使之在现代文明进程中发扬光大。

The study of'life philosophy' originated in the West in 1920s,making ontology of life a core sphere of literature and arts and even developing the exploration to be aesthetics of life,and consequently provided a solid philosophical foundation for spirit of life to be understood in modern perspectives.Nomadic civilization,having formed in a vast geographical space in Eurasian steppe,possesses a quality of international dimension.The philosophy of life among the Mongol nomads bestowed extremely unique forms to values of life,by stressing perceptional experience of life,affirming evolution of life and being impressed by hardship and loftiness.