摘要
袁鼎生提升出生态辩证法,构建了整生范式,生发了元范畴,形成了集逻辑、历史、应用、比较研究以及元学科研究于一体的超循环运转的生态美学理论体系。他以生态为基点,整合融通了人类学与美学,标识了生态美学的生境与发展理路,并主张在艺术生境和艺术人生的耦合并进中,提升人生境界。
By upgrading eco-dialectics,Prof.Yuan Dingsheng has constructed integrated paradigm and prototype category,and formed a hypercycling eco-aesthetic theoretical system which integrates logics,history,application,comparative study and prototype discipline research.With ecology as the basic point,he has integrated anthropology with aesthetics,and marked the eco-environment and development direction for eco-aesthetics.He insists that artistic ecology and artistic life be combined together to improve life realm.
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第3期36-42,共7页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
生态美学
生态辩证法
整生范式
超循环
eco-aesthetics
eco-dialectics
integrated paradigm
hypercycle