摘要
简要寻绎了苏过成材之因,认为作为"三苏"后人中"最承家风者",苏过的人生与作品本应受到世人的关注,然迄今学界对苏过的研究少之又少。故而美学分析了《斜川集》的选材和旨趣,揭示了苏过诗文"哀愁患忧"、"大节大义"的美学蕴藉,展现了苏过"平实空灵"的审美人生。
By briefing the underlying reasons of Su Guo s success,the author thinks that,among all the descendants of "Three Sus"(Su Xun,Su Shi and Su Zhe),Su Guo was the most outstanding successor of the family s characteristics and that his works as well as his life experience should have aroused more attention.But unfortunately,the academia has paid little attention.Therefore,this paper,from the aesthetic perspective,analyzes the topics and objectives of his work Xiechuan Collection and reveals the aesthetic connot...
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第3期160-164,共5页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
苏过
川诗文
哀愁患忧
大节大义
平实空灵
Su Guo
Xiechuan poems and essays
sorrow and anxiety
grand integrity and righteousness
plainness and simplicity