摘要
绘画与诗歌是两个性质不同的艺术门类,但在我国古代,这两门艺术并不是互不相干的。从以画为题材的诗歌出现到诗书画一体,表现出逐步融合的趋势。诗画融合方式有三:一是以画为题材作诗;二是追求画中的诗境;三是画面题诗,诗与画共处一体。我国美术史就体现了诗画融合的历程。诗画融合的原因,则源于我国传统的文艺观点与审美取向;源于我国传统的思维模式;源于画家审美能力的提高。
Painting and poetry belong to two different categories of art.While in the ancient time of China,these two arts connected closely with each other.From the emergence of poem which was based on the content of painting to the overall melting of poem calligraphy and painting,we can see its tendency of gradual melting.This paper stresses its importance on exploring the forms and history of the melting between poems and painting,it also points out the reasons which lead to this melting.In the author s opinion,the...
出处
《江苏经贸职业技术学院学报》
2009年第2期60-63,共4页
Journal of Jiangsu Institute of Commerce
关键词
诗画融合
表现形式
历程
原因
审美取向
思维模式
melting of poems and paintings
form
history
reasons
beauty appreciation
way of thinking