摘要
透过作文法可以看出王鼎钧抒情叙事说理合一的创作思路,这种思路把握到散文的文体学特质,即散文的文体特征就是兼有诗歌、小说、戏剧之所长;而且诗化和小说戏剧化,就是散文走向成熟的关键所在。原因在于,这种包容多种文体特质的复式结构,达成了作者与读者沟通的多种可能性,从而有效地解决了编码与解码的尖锐冲突。
Wang Dingjun's combination of lyrical narrative and reasoning in his proses is intelligible through the perspective of stylistics.Such a way of deployment succeeds in grasping the stylistic features of prose-namely those features shared in poetry,fiction and drama-and in propelling his writings towards maturity achieved crucially through poeticization and dramatization.Such a compound structure with various stylistic features enables the multiple ways of communication between the reader and the author,thus effectively resolving the conflict between encoding and decoding.
出处
《华文文学》
2009年第3期54-57,共4页
Literatures in Chinese
关键词
王鼎钧
散文
文体学
Wang Dingjun,prose,stylistics