对《饥饿的女儿》中男性形象的一种解读

The Image of Males in The Hungary Daughters

女作家虹影在自传体小说《饥饿的女儿》中塑造了三个男性形象,通常我们都以女权主义来看待虹影,但在此书中虹影并不是一个女权主义者,书中的男性并没有因自古以来的优越性而获得真正的优越,他们同样遭受着苦难,虹影在塑造女性形象的同时,并没有以某种武器或对抗性的力量来简单的否定男性,她同样给我们展现了一个男性悲惨与愁苦的世界。三个男人在"六六"的成长中扮演了不可或缺的角色。

Hong Ying has created three male images in her autobiographic novel The Hungary Daughters. Although she has been known as a feminist writer, Hong Ying breaks away from that label in the novel in the sense that the males are not endowed with their gender superiority, but presented as victims of misery as well. There is no protest discourse as a weapon to simplistically deny males, who are, in fact, presented as victims of misery and sorrow. The three males play indispensable roles in the growth of Liu Liu.