摘要
当我们尚喋喋不休地争执于雕塑和非雕塑的界限时,从亚得里亚海的西岸吹来一阵轻盈的风。意大利人给我们带来一次关于物质的越界的体验,告诉我们原来雕塑可以是这样的。显然,用一种结论来描述当代雕塑并非理智之举,因为此在的定义处于当代化的进程之中。
When we are still debating on the boundary of sculpture and non-sculpture volubly,there is lightsome wind blowing from the west bank of Adriatic Sea.The Italian brings us experiences of spanning the borderline of materials,and tells us how sculpture could be now.Obviously,to describe the contem- porary sculpture with only one conclusion is reasonless,because current definition is on the road of the contemporary turns.
出处
《雕塑》
2008年第2期84-89,共6页
Sculpture