摘要
由文章《草原的史诗》可见,笔者对于任世民所创作的大型浮雕"草原的史诗"作了详尽而充实的考量,以空间意识为切入点,逐步展开对作品和谐的空间构成、历史文化和艺术语言的研究,着重阐述了艺术家任世民在创作这组作品"草原的史诗"时对于表现内容、材质和展示空间之间的契合关系的把握,笔者在关注艺术家内容传达的同时,对这组作品的浮雕语言做了理性而深入的探讨,为读者构建了一个完整的视觉和心理图像。
The article the Epic of the Grassland shows that this writer made a full and meaningful consideration on the creation of large-scale relief'the Epic Prairie'.Using the space awareness as the entry point,he gradually studied from the harmonious space composition,history and culture to the artistic language.The author focused on the relations among the content,materials and exhibition space.At the same time,the author was concerned about the content of this group works,studied the relief language rationally and deeply,building a complete visual and mental images for the reader.
出处
《雕塑》
2008年第3期24-27,共4页
Sculpture