摘要
"中国文化品质"对于中国雕塑艺术的发展是一个永远言有尽而意无穷的设问。如何使如此深邃奥妙的美学品格离开束之已久的高阁,糅合在作品的精髓之中。文章透过陈启南、王天任、张叔瀛三位先生的作品《诗魂》《诗峡》巧妙地向我们娓娓道来。
'Chinese cultural charateristic' will become a question with limited words but endless meaning for Chinese sculpture art.How to free such meaningful art quality from the traditon and amalgate with the essence of pieces of work.This article would discuss it in detail through the works 'The Spirit of Poem' and 'The Straight of Poem' created by Chen Qinan,Wang Tianren and Zhang Shuying.
出处
《雕塑》
2008年第4期18-21,共4页
Sculpture