摘要
笔者上两篇专题文章介绍了两个长期被忽略乃至被遗忘的民国雕塑家(滕白也、岳仑),以便引起读者对民国雕塑家的重视。本文在上文基础上、从词源学角度分析"雕塑"概念的渊源、流变以及现代社会中的"雕塑家"的出现和身份转型,以期读者对民国现代雕塑出现的具体环境有一更全面地认识。
In the last two articles,The author introduced two Chinese sculptors (Teng Baiye,Yue Lun) who have been neglected for a long time,in order to cause people’s attention to Chinese sculptors.Based on the last article,this article discusses the origin and development of 'sculpture' and the emergence and identity transformation of sculptors.In this way the readers can have a more comprehensive understand about the concrete environment of modern sculpture emarginated in early of the republic of China.
出处
《雕塑》
2008年第4期48-49,共2页
Sculpture