摘要
《乐府群玉》的选编者,任中敏疑为胡存善,隋树森据贾本《录鬼簿》中的一条材料反驳之而定为无名氏。实际上,隋先生忽略了《录鬼簿》存在多种版本的复杂情况。爬梳《录鬼簿》诸版本著录《丛珠》的情况,可以确定《丛珠》的归属,藉此可以进一步证明《乐府群玉》的选编者为胡存善。《乐府群玉》“编次有伦”的特点以及选曲风格与《录鬼簿》胡存善小传等材料相契合;该书张可久小令精选自《今乐府》,而后者是胡氏对张可久30年创作的精选;胡氏交游广泛,具有较高的解曲能力和编刊散曲集的经验,这些都是胡存善选编《乐府群玉》有力的佐证。
Ren Zhongmin considered indefinitely that the authorship of Yuefu qunyu is Hu Cunshan,but Sui Shusen refuted him and thought it's authorless according to one material of“Jia Ben”Lu Gui Bu.In fact,Sui neglected that Lu Gui Bu has various versions.Making clear the condition about Yuefu Congzhu edited in different versions of Lu Gui Bu,we can define the authorship of Congzhu,and further to prove the authorship of qunyu is Hu Cunshan.The character of qunyu and its style are in line with the biography of Hu Cunshan recorded in Lu Gui Bu.Zhang Kejiu's Xiaoling(小令) in this anthology were elected from Jin yuefu which was compiled by Hu.Hu made a wide of friends,had great ability of understanding music and had enough experience for editing Sanqu(散曲).As are the evidences to prove the authorship of Yuefu qunyu is Hu.
出处
《苏州大学学报(哲学社会科学版)》
北大核心
2007年第2期60-66,共7页
Journal of Soochow University(Philosophy & Social Science Edition)