摘要
本文归纳了浮雕艺术以“形与体”综合造型的规律,从以形塑体的二维造型艺术、以体显形的三维造型艺术、“形与体”并存的造型法则和浮雕形体塑造的特殊表现手法等四个方面,阐述了介于二维与三维之间的浮雕艺术——特殊的矛盾关系、依存关系和造型规律,揭示了其中蕴含着的诸多视觉审美原理。在回到内在表达层面语言的同时,强调了学院造型艺术的建设性与经典性。
The article generalizes the rule of relief arts which is unified modeled with“form” and “structure”, expounds special contradiction relation, interdependent relation and modeling law between two-dimension and three-dimension of relief art, reveals a lot of visual aesthetic principle from four aspects: two-dimensional modeling art which uses form to shape structure, three-dimensional modeling art which uses structure to show form, modeling law of coexistence of 'form and structure', and special representation of form and structure of relief. It emphasizes the positiveness and classiveness of academy modeling art while returning to the levels of inner expression language.
出处
《雕塑》
2007年第2期52-53,共2页
Sculpture
关键词
形与体
以形塑体
以体显形
form and structure
using form to shape structure
using structure to show form