摘要
中国古代雕塑依循"一天人""合物我"的审美模式产生了与西方写实主义模式截然不同的意象性造型。这种意象性造型表现的是精神世界的景象,重在神似,富有观念性。作为中国古代雕塑的经典作品,西汉霍去病墓石雕的意象审美特征具有典范意义。本文通过对西汉霍去病墓石雕群的深入分析,试图阐释其意象审美特征,并进一步探索意象审美模式对于中国雕塑艺术的特殊意义。
According to aesthetic principles of 'unite the heaven and the human' and 'combine the object and oneself',there created a special kind of mold. Different from western realism,this image mold emphasizes spiritual similarity and represents human’s spiritual world. As a typical representative of Chinese ancient sculpture,the stone sculpture of Tomb of Huo Qubing has a typical aesthetic meaning. This article tries to interpret such an image aesthetic feature and ex-plore its meaning for China sculpture arts.
出处
《雕塑》
2007年第4期62-63,共2页
Sculpture
关键词
霍去病墓
石雕
意象
审美
Tomb of Huo Qubing stone sculpture image aesthetic