京派乡土小说的浪漫寻梦与田园诗抒写

Romantic Dream and Pastoral Writing of Beijing Writers

乌托邦式的审美理想决定了京派作家的文化价值立场,从反现代文明和反现代文化的角度出发,最终又部分复归于现代文化批判的视角。所以,京派乡土小说在其创作的理论和实践中呈现出的是“半叙景物,半涉人世”的书写状态,而风景画、风俗画与风情画的描写则成为他们田园诗的乡土抒情体式和小说修辞。

The aesthetic ideal of Utopia determines the standpoint of culture and value from Beijing writers. They start against modern civilization and culture and end in the perspective of the criticism of modern culture in some extent, so in their practice and theory emerge half description of scenery and half concerning people's life. Landscape, custom and folk life often appear in their poems and novels.