摘要
庄子以"道"为逻辑起点,以寓言为载体,提出了一系列对后世产生巨大影响的文艺主张,他对"道"与"言"、"大美"与"大象"、"虚"与"静"展开的反复论述,构成了一个比较完整的艺术境界论体系。本文循着庄子理论的脉络,对其艺术境界的理论实质及后世的阐发作了简单梳理。
The great contribution of Zhuangzi's concepts of art,with the Way as their starting point and the fable as their carrier,lies mainly in his exposition of the realm of art,which has extended into a systematic theory about art.
出处
《郑州大学学报（哲学社会科学版）》
CSSCI
北大核心
2007年第5期115-118,共4页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
关键词
古代文论
庄子
艺术境界
ancient critical theory
Zhuangzi
realm of art
