心物相化 无为而为——当代公共艺术创作中的老庄思想新解

Incorporation of Nature and Human, Conforming to Natural Rule——New Explain about the Idea of Taoism Affecting Composition of Modern Public Art

本文从2005年初夏在滇池之滨举办的昆明首届国际雕塑节几件艺术作品入手,切入当代公共艺术创作视角,阐释了以老子和庄子为代表的“道家”审美思想对中华民族的审美意识和艺术精神所产生的深远影响,进而分析了老庄思想对更为广泛的公共艺术领域的深层影响、渗透和衍化。缘此,发掘老庄文化的积极因素,将之融会在当下公共艺术的具体创作和实践中,或可为公共艺术创作水准的提高有所启迪、借鉴和助益。

This article chooses several sculptures exhibited on The First International Sculpture Day which was held in Kunming in summer of 2005 as examples. Using modern public art composition viewpoint, the article expounded the profound influence on Chinese national aesthetic consciousness and artistic spirit from the aesthetic idea of Taoism, and then analyzed the deep influence, infiltration and derivation on the wider realm of public art. Therefore, digging positive factor from Taoism, and applying positive factor to concrete design and composition of contemporary public art, which may bring enlightenment, example and help to improvement of the level of public design.