浅析王沂孙比体咏物词的艺术表现手法

Reflections on Wang Yi Sun's Main Art Representation on Intoned-objects Word

比体咏物词是王沂孙词的主旋律,代表了他词作的最高成就。词人通过对自然界一草一物的咏吟,寄托了深沉的亡国之恨,抒发了身世飘零之感。本文试图剥离批评中的非艺术成分,从赋比兴美学原则的角度来观照王沂孙比体咏物词的原生状态,力求在把握宋末词人基本心态的基础上,结合王沂孙的独特经历,并依据一定的历史史实对王沂孙咏物词的主要艺术表现手法作出分析。

The intoned-objects poesy is the theme in Wang Yisun's poesy.Which represent the summit of his works.By intoning every simple plant,he expressed his deep hatred to the subjugated country and his feeling of floating life.The paper is trying to strip the nonart parts in criticism and observe the opiginal state of his intoned-objects poesy aesthetically Meanwhile,this paper also expresses the authors' mentality at the end of Song combined with the author's unique experience analyses his main art idiosyncrasy of intoned-object poesy historically.