摘要
From his childhood, Wang Dengke began to studypainting crazily. Though he studied literary history whenhe grew up, he still liked to paint.Wang was good at the painting of persons and hefollowed suit of Chen Hongshou, Ren Bonian, QianHuiAn, Wang Yiting and Qi Baishi. He mainly liked topaint common people, especially children and theamorous feelings to north. His artistic afflatus mostlycame from retrospection of his childhood.Under his brush, the topics he painted were thedusk of snowing, playmates, happiness, absence, etc.For instance, "the Half Moon Climbing Up" expressedwhat he was sentimentally attached to his childhood."The Wind in the Fields" described some youngsters inthe rural area. "The Season with More Dreams" recalledwith emotion and retrospection to the childhood.The painting of Wang’s liked a beautiful landscapeand gave us a nice longing for the beautiful world.
From his childhood, Wang Dengke began to studypainting crazily. Though he studied literary history whenhe grew up, he still liked to paint.Wang was good at the painting of persons and hefollowed suit of Chen Hongshou, Ren Bonian, QianHuiAn, Wang Yiting and Qi Baishi. He mainly liked topaint common people, especially children and theamorous feelings to north. His artistic afflatus mostlycame from retrospection of his childhood.Under his brush, the topics he painted were thedusk of snowing, playmates, happiness, absence, etc.For instance, 'the Half Moon Climbing Up' expressedwhat he was sentimentally attached to his childhood.'The Wind in the Fields' described some youngsters inthe rural area. 'The Season with More Dreams' recalledwith emotion and retrospection to the childhood.The painting of Wang's liked a beautiful landscapeand gave us a nice longing for the beautiful world.
出处
《今日辽宁》
2006年第1期58-59,共2页
Liaoning Today
