摘要
龚贤山水画中树的演变分“白龚”、“灰龚”、“黑龚”三个时期。本文对龚贤的生平和师承关系作了探寻 ,并对这三个时期的不同特征和画法尤其是积墨法作了具体分析论述 ,最后得出龚贤山水画反“法”重“道”
The painting techniques of trees in Gongxian’s landscape paintings have developed through three stages: “Light Gong”, “Grey Gong”, and “Dark Gong”. The paper traces back to Gongxian’s life, compares his works with those of his teachers’, then analyzes his special skills at using China ink. Finally it reaches a conclusion that Gongxian expresses deep spiritual meanings in his landscape paintings which put emphasis on the natural characteristics against the traditional drawing regulations.
出处
《西华大学学报(哲学社会科学版)》
2004年第2期77-79,91,共4页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
龚贤
树
白龚
灰龚
黑龚
Gongxian
trees
Light Gong
Grey Gong
Dark Gong