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初探龚贤山水画中树的特征 被引量:1

An Initiatory Analysis of Characteristics of Trees in GongXian’s Landscape Paintings
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摘要 龚贤山水画中树的演变分“白龚”、“灰龚”、“黑龚”三个时期。本文对龚贤的生平和师承关系作了探寻 ,并对这三个时期的不同特征和画法尤其是积墨法作了具体分析论述 ,最后得出龚贤山水画反“法”重“道” The painting techniques of trees in Gongxian’s landscape paintings have developed through three stages: “Light Gong”, “Grey Gong”, and “Dark Gong”. The paper traces back to Gongxian’s life, compares his works with those of his teachers’, then analyzes his special skills at using China ink. Finally it reaches a conclusion that Gongxian expresses deep spiritual meanings in his landscape paintings which put emphasis on the natural characteristics against the traditional drawing regulations.
作者 邓远清
出处 《西华大学学报(哲学社会科学版)》 2004年第2期77-79,91,共4页 Journal of Xihua University(Philosophy & Social Sciences)
关键词 龚贤 白龚 灰龚 黑龚 Gongxian trees Light Gong Grey Gong Dark Gong
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参考文献3

  • 1龚半千.龚半千课徒稿[J].荣宝斋,1995,(12).
  • 2[2]陈传席.中国山水画家史[M].南京:江苏美术出版社,1995.
  • 3[3]黄宗贤.中国美术史纲要[M].重庆:西南师范大学出版社,1995.

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