摘要
本文试图运用辩证唯物观点 ,论述胡适的戏剧进化、写实主义创作方法、功利主义和悲剧观念等戏剧观在当时的积极意义 ,同时 ,从三个方面指出其戏剧观的明显局限性。既不抬高 ,也不因人废言 。
In this paper, the auther tries to use dialetical view to dissert the active value of Hu Shi's drama idea, including drama evolution, verism, utilirarianism and tragic idea. Furthermore, the author points out the obvious limitation of Hu Shi's drama idea from three aspects. This paper neither mean to derogate nor to overstate his drama idea, just to recover his true value.
出处
《西安文理学院学报（自然科学版）》
2002年第1期23-26,32,共5页
Journal of Xi’an University(Natural Science Edition)
