摘要
表面上看 ,济慈的《希腊古瓮颂》是诗人在欣赏和玩味一件年代非常久远的希腊古瓮 ,实际上则是在借用这件精美的艺术品来表述自己对艺术的看法 ,在阐释自己的审美理念。其艺术手法巧妙 ,其反映艺术内容与艺术媒介、审美直觉与理性思维之间的矛盾和转换非常独特 ,是通过诗人的自身体验加以表现的 ,最终归结于“美即是真 ,真即是美” ,至今仍具启发与可借鉴的意义。
On the surface, it seems that the poet of the poem is appreciating and enjoying a piece of ancient Grecian Urn. In fact, the poet is expressing his viewpoint about ants with the help of this piece of delicate art. The way of expression in the poem is very skillful. There is a practical way to show the conflicts between the arts' content and the medium, the aesthetic intuition and reasonable thought. Its profound meaning “Beaty is truth and truth is beauty”, is still inspiring and worthy of learning today.
出处
《西安文理学院学报(自然科学版)》
2003年第2期8-13,共6页
Journal of Xi’an University(Natural Science Edition)