摘要
六朝骈文在审美情感上经历了一个历史的演变 ,从建安时期的悲凉慷慨 ,转变到两晋的清远高深 ,再到晋宋之际的纵情山水 ,将个人情感通过山水展现 ,齐梁陈时期的钟情女性 ,叙述两情之间 ,表现男性的一种赏玩心理 ,梁陈时再兴起相思离别 ,既有思乡之情 。
Parallel prose in Six Dynasties had experienced a historical evolvement in aesthetic feelings,that is,from disconsolateness in Jian-an Period to eruditeness in Western and Eastern Jin Dynasties,to the display of individual emotion through landscape description in the turn of Jin and Song Periods,to the trend for women in Qi,Liang and Chen Periods,which describe the love between both sexes,and display male’s psychology for enjoying the beauty of women.However the re-flourishing of the lovesick writing style in Qi and Liang Periods not only contained the feeling of homesickness but also displayed the emotion of lovesick departure of the soldiers and officials in the frontier fortress.
出处
《柳州师专学报》
2004年第3期1-6,共6页
Journal of Liuzhou Teachers College
关键词
六朝骈文
审美情感
历史演变
parallel prose in Six Dynasties
aesthetic feelings
historical evolvement