摘要
茅盾早期小说创作模式主要表现为三种具体的形态:一,互为对立面的衬托方式,既打通了小说人物思想发展脉络,同时也强化了主题震撼力的效果;二,三角模式,使文本具有了放射性的阐释空间;三,横断面模式,与人物意识流动融为一体,突破生活的时空限制,丰富了小说的内涵。茅盾早期小说的创作模式在一定意义上昭示着现代中国文学在结构上的开拓性转型。
In 1920s,Mao Dun was a new hand in the aspect of fiction creation,but he appeared to have a skilled and adept art.There're there concrete form of the creating mode in Mao Dun's early fictions:Firstly,The mode as a foil to the negative part from one another not only makes clear the developing veining of thought of the characters,but also strengthens the shock of the theme.Secondly,The using of the triangle mode gives an elucidatory space of radiation to the text.Thirdly, the transect mode mixes up with the sense stream of the characters as a whole,which makes a breakthrough in the spacial limit of life section,and fulfills the content of transect fictions.To explore Mao Dun's fiction world from the angle of the creating mode,his creating mode undoubtly represents the transformation of the modern Chinese literature.
出处
《山东师范大学学报(人文社会科学版)》
北大核心
2003年第6期34-37,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)